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"Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead."―Terry Eagleton, The Nation
Widely praised as "impressive" (The Washington Post Book World), "ambitious" (The Wall Street Journal), and "alluring" (The Los Angeles Times), Dancing in the Streets explores a human impulse that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in revels of feasting, costuming, and dancing.
Drawing on a wealth of history and anthropology, Barbara Ehrenreich uncovers the origins of communal celebration in human biology and culture. From the earliest orgiastic Mesopotamian rites to the medieval practice of Christianity as a "danced religion" and the transgressive freedoms of carnival, she demonstrates that mass festivities have long been central to the Western tradition. In recent centuries, this festive tradition has been repressed, cruelly and often bloodily. But as Ehrenreich argues in this original, exhilarating, and ultimately optimistic book, the celebratory impulse is too deeply ingrained in human nature ever to be completely extinguished.
- Sales Rank: #130684 in Books
- Brand: Ehrenreich, Barbara
- Published on: 2007-12-26
- Released on: 2007-12-26
- Original language: English
- Number of items: 1
- Dimensions: 203.96" h x .91" w x 5.38" l, .70 pounds
- Binding: Paperback
- 336 pages
From Publishers Weekly
Starred Review. It is a truism that everyone seeks happiness, but public manifestations of it have not always been free of recrimination. Colonial regimes have defined spectacles as an inherently "primitive" act and elders harrumph at youthful exultation. Social critic and bestselling author Ehrenreich (Nickel and Dimed) teases out the many incarnations of sanctioned public revelry, starting with the protofeminist oreibasia, or Dionysian winter dance, in antiquity, and from there covering trance, ancient mystery cults and carnival, right up to the rock and roll and sports-related mass celebrations of our own day. "Why is so little left" of such rituals, she asks, bemoaning the "loss of ecstatic pleasure." Ehrenreich necessarily delineates the repressive reactions to such ecstasy by the forces of so-called "civilization," reasonably positing that rituals of joy are nearly as innate as the quest for food and shelter. Complicating Ehrenreich's schema is her own politicized judgment, dismissing what she sees as the debased celebrations of sporting events while writing approvingly of the 1960s "happenings" of her own youth and the inevitable street theater that accompanies any modern mass protest, yet all but ignoring the Burning Man festival in Nevada and tut-tutting ravers' reliance on artificial ecstasy. That aside, Ehrenreich writes with grace and clarity in a fascinating, wide-ranging and generous account. (Jan. 10)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
At a time when social scientists are lamenting the loss of a sense of community, Ehrenreich offers an absorbing look at the joy of life expressed in communal rituals of dance and celebration. From cave drawings through the celebrations of weddings, religious rites, healing, and war preparations of various cultures to modern "carnivalization" of sports celebrations, she traces the appeal of synchronizing individual movements to a group. Western culture, with little understanding of the ecstasy of love expressed in group celebrations, has looked on such celebrations as primitive hysterics and banned them among African slaves, Native Americans, and other cultures. But Ehrenreich details a long history of such celebrations in European cultures, from the festivals of Dionysus to those of medieval Christians. She also explores other cultures' reactions to dance celebrations they viewed as somehow socially or spiritually subversive, whether it's Protestants banning carnivals or Wahhabist Muslims frowning on ecstatic Sufism. Given the social nature of humans, Ehrenreich is optimistic that the drive to "civilize" will never fully eliminate the impulse for group celebration. Vanessa Bush
Copyright © American Library Association. All rights reserved
Review
“A fabulous book on carnival and ecstasy, skillfully arranged and brilliantly explained.” ―Robert Farris Thompson, author of Tango: The Art History of Love
“Barbara Ehrenreich shows how and why people celebrate together, and equally what causes us to fear celebration. Here is the other side of ritual, whose dark side she explored in Blood Rites. She ranges in time from the earliest festivals drawn on cave walls to modern football crowds; she finds that festivities and ecstatic rituals have been a way to address personal ills like melancholy and shame, social ills as extreme as those faced by American slaves. Dancing in the Streets is itself a celebration of language -- clear, funny, unpredictable. This is a truly original book.” ―Richard Sennett, author of The Culture of the New Capitalism
Most helpful customer reviews
2 of 2 people found the following review helpful.
A celebration of dancing and a condemnation of the authorities
By SpunStories B.
Barbara Ehrenreich's DANCING IN THE STREETS is both a celebration of dancing and a condemnation of the authorities who are trying to prevent large groups of people from running amok in the interests of law and order.
This wonderful book is a potted history of dance, from its roots back in the misty past, through various ancient civilizations and up through the present day. Ms. Ehrenreich conveys how natural it was to dance and how this is a knack that many of us have lost today. People who either live in Northern Europe or can trace their ancestry from that part of the world have difficulty loosening up enough to dance even for a few minutes, let alone for hours or days. And since this somewhat Puritanical attitude has pervaded the world, all of us suffer from a lack of dancing in our lives.
I am in awe of how much research Ms. Ehrenreich has done for this book. Of course, dancing is not just about dancing. In the ancient past, it was used to cure people of sadness. Since the early Middle Ages, it seems to have taken on more political overtones, and people who danced often did so for reasons of social justice. In fact dancing impinged on so many aspects of people's lives from religion (where people danced to their prayers) to the military, to sports. And what is fascinating is how Ms. Ehrenreich argues that relatively recently the young men and women of the 50s and 60s who would not sit down in their seats during a rock concert, were merely reaching back (albeit unconsciously) into a Dionysian past.
For those of you who have often wondered about dancing, and its various social incarnations, this book is for you. Five stars.
1 of 1 people found the following review helpful.
Ever heard of Trance Dancing?
By Amazon Customer
Ever heard of Trance Dancing? Sound like fun? You can get together with your friends and try it for yourself. Yes, this is a well researched book about the history of "muscular bonding" among small (tribal) and large (the Roman army)groups and everything in between. This is the history of the "rave"; where it came from and why it emerged again in the 1960's after centuries of repression. Trance dancing, aka Ecstatic Dancing is how we love and bond with each other, strengthen our group identity and togetherness; and it's fun! I enjoyed reading about all the various manifestations of this natural form of human expression. It has showed up in many forms through the ages and will continue on in one form or another as long as humans inhabit this planet. Read this history and you will be inspired to give your inner dancer permission to come out and play much more often. Enjoy.
0 of 0 people found the following review helpful.
Informative and interesting throughout.
By Tuohy
A pleasure to read, and informative. I found this book interesting throughout, for its coverage of ancient history up through the ages to the present. It offers a unique and welcome perspective on how basic human needs have been expressed and controlled/manipulated by the broader societies.
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