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Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq, by Sarah Glidden
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"Sarah Glidden’s remarkable Rolling Blackouts adds a new twist to the [graphic journalism] form. Glidden accompanies a team of journalists through Syria and Iraq and her muted watercolours record not only the lives of people in war zones but the way the media interacts with them. Highly recommended."―The Guardian
Cartoonist Sarah Glidden accompanies her two friends―reporters and founders of a journalism non-profit―as they research potential stories on the effects of the Iraq War on the Middle East and, specifically, the war’s refugees. Joining the trio is a childhood friend and former Marine whose past service in Iraq adds an unexpected and sometimes unwelcome viewpoint, both to the people they come across and perhaps even themselves.
As the crew works their way through Turkey, Iraq, and Syria, Glidden observes the reporters as they ask civilians, refugees, and officials, “Who are you?” Everyone has a story to tell: the Iranian blogger, the United Nations refugee administrator, a taxi driver, the Iraqi refugee deported from the US, the Iraqis seeking refuge in Syria, and even the American Marine.
Glidden (How to Understand Israel in 60 Days or Less) records all that she encounters with a sympathetic and searching eye. Painted in her trademark soft, muted watercolors and written with a self-effacing humor, Rolling Blackouts cements Glidden’s place as one of today’s most original nonfiction voices.
- Sales Rank: #45801 in Books
- Brand: imusti
- Published on: 2016-10-04
- Released on: 2016-10-04
- Original language: English
- Number of items: 1
- Dimensions: 231.78" h x 31.88" w x 6.75" l, .0 pounds
- Binding: Hardcover
- 304 pages
- Drawn & Quarterly
Review
"An ambitious, nuanced and sprawling work of graphic nonfiction."― Rolling Stone
"Glidden’s clean, spare cartoons take a behind-the-scenes approach."―Harper's Magazine
"Sarah Glidden’s remarkable Rolling Blackouts adds a new twist to the [graphic journalism] form. Glidden accompanies a team of journalists through Syria and Iraq and her muted watercolours record not only the lives of people in war zones but the way the media interacts with them. Highly recommended."―The Guardian
"[Glidden's] technique, combined with dozens of hand-painted snapshots of each of her subjects, feels more personal than simply text or images alone. By making these experiences feel so personal, Ms Glidden has helped to emphasize the seriousness of their struggle."― The Economist
"Rolling Blackouts is...meticulous, probing...at once a densely layered reckoning with the region's complex politics, as well as an inquiry into journalistic methods."― The Globe and Mail
"An intricate investigation of how the reality of conflict gets filtered through personal, political, and journalistic narrative...This work―quiet but challenging, plain yet beautiful―exemplifies [Glidden's] skillful, sensitive reportage."―Library Journal Starred Review
"Glidden does a brilliant job in chronicling a two-month journey with journalist friends through Turkey, Syria, and Iraq to report stories about the impact of the Iraq War on Middle Eastern inhabitants...The power of Glidden’s narrative is in how it asks fundamental questions about what journalism is, what kinds of stories it tells, and what purpose these stories serve. She also manages to crystallize hours of recorded interviews with the locals into insightful discussions of complex situations."―Publishers Weekly
About the Author
Sarah Glidden's debut book, How to Understand Israel in 60 Days or Less landed on several best of the year lists, including Entertainment Weekly; earned a YALSA Great Graphic Novels for Teens distinction; and won an Ignatz Award. A graduate of Boston University, she now lives in Seattle.
Most helpful customer reviews
5 of 5 people found the following review helpful.
This book is an absolute delight. From the carefully written account of several independent ...
By Alberto Cairo Touriqo
This book is an absolute delight. From the carefully written account of several independent journalists going into some dangerous regions, to the beautiful watercolor art, it all adds up to a great reading experience. I wish more serious graphics novels like this were published. They take the genre to a new level. I am also going to check Glidden's previous book, “How to Understand Israel in 60 Days or Less”
2 of 2 people found the following review helpful.
This one is a pleasant surprise.
By Sam Sattler
Frankly, I had doubts about Sarah Glidden’s decision to use “comic panels” to tell the intriguing story of her visit to Turkey, Syria, and Iraq with her two journalist friends and a friend of theirs who just happened to have seen military action in Iraq as an American soldier. I have read two or three graphic novels and enjoyed the way that the panels added to the overall emotional impact of the novels, but Rolling Blackouts is my first experience with graphic nonfiction. I am happy to report that Glidden made it all work very well. Now I can’t decide which impresses me more, the sheer number of Glidden’s wonderful illustrations (I estimate there to be at least 2,500 of the comic panels) or the amount of information she packed into them.
Sarah Stuteville and Alex Stonehall, along with Jessica Partnow, created what Stuteville calls a “multimedia journalism collective” to cover the stories that the established news organizations never seemed to have time for, stories they never covered. The collective’s first venture was a six-month trip through Thailand, Cambodia, Pakistan, India, Israel, Palestine, Kazakhstan, and Kyrgyzstan where they covered almost thirty stories of their own choosing, stories that were often picked up by “news sites, magazines, and public radio stations.” Now, Sarah and Alex are embarking on a two-month venture into Turkey, Syria, and Iraq to speak with some of the people most affected by the Iraq War, those almost countless refugees forced to flee their homes because of the fighting. Sarah Glidden, armed only with a camera and a digital voice recorder, and Dan O’Brien, armed only with his memories of the Iraq War, join them.
Sarah Stuteville and Dan O’Brien were childhood friends who had not seen each other for a number of years. Stuteville expected that by returning to Iraq, the scene of his military service, her old friend would do the kind of deep soul-searching that would lend itself to a meaningful video documentary piece. What she found instead, and what deeply frustrated her, is that O’Brien simply refused to play that game. O’Brien figured out what she expected of him early on, and although he felt guilty about letting her down, he could never bring himself to discuss his experience in any meaningful way.
As the four young people cross various international borders, Glidden manages to illustrate a bit of each country’s history and political status. The group’s reception by the people they speak with and formally interview is exactly what one would hope for: friendly, but serious. The displaced people they approach are generally very willing (sometimes even eager) to speak with them despite the way they express anger at the U.S. government and blame America for the loss of homes, family members, and friends. Stuteville and Stonehall come home with the kind of stories they went looking for, but come to realize that journalism is not really about “changing things” and never was. According to Stuteville the important thing is to get the story “out there” and hope that it gets “passed along.” Then, according to her, “The way the reader uses that story to understand the world is up to them.”
Bottom Line: Rolling Blackouts manages to pack in more factual information than I expected from graphic nonfiction genre. It is more effective, however, when illustrating the emotions of the interviewer and those being interviewed. Sarah Glidden’s illustrations (she calls them “comics”) are truly wonderful and they greatly add to the book’s emotional impact on the reader. This one was a pleasant surprise.
1 of 1 people found the following review helpful.
Amazing book, incredible reportage
By S. Martin
I can't remember the last time a book moved me so much. I couldn't fall asleep last night because of how sad and affected I was/am by the interviews with the Iraqi refugees in this book. This brought all of the impact of the Iraqi war and our invasion of that country home in a personal way. Never will I think of war again without thinking of the impact it will have on women and men, families and children. I was so impressed I wrote a letter to the author through her website. Every politician and citizen of the world should read this book to get a real picture of the affect of war on civilians.
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