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In the mid-1990s, filmmaker Hayao Miyazaki moved from success to success as his work found an audience outside of Japan. His animated films of the era, including Princess Mononoke, Howl’s Moving Castle, and Ponyo, were internationally lauded, and Miyazaki won an Academy Award® in 2003 for his popular and critical hit Spirited Away.
Follow Miyazaki as his vision matures, as cinema-lovers worldwide embrace his creations, and as critics such as Roger Ebert take up the cause of animation and Miyazaki’s films. In a legendary career, these crucial years represent the turning point.
- Sales Rank: #80257 in Books
- Brand: Viz Media
- Published on: 2014-04-08
- Released on: 2014-04-08
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.60" w x 6.00" l, .0 pounds
- Binding: Hardcover
- 452 pages
- Viz Media
About the Author
Hayao Miyazaki is one of Japan's most beloved animation directors. In 2005 he was awarded the Venice International Film Festival's Golden Lion Award for Lifetime Achievement, and his Studio Ghibli received the festival's Osella Award for overall achievement in 2004. Miyazaki's films include Spirited Away, winner of the 2002 Academy Award® for Best Animated Feature Film, as well as Castle in the Sky, My Neighbor Totoro, Kiki's Delivery Service, Princess Mononoke, Howl's Moving Castle, and Ponyo, all of which have received great acclaim in the U.S. Miyazaki's other achievements include the highly regarded manga series Nausicaä of the Valley of the Wind and Starting Point: 1979-1996, a collection of essays, interviews, and memoirs that chronicle his early career and the development of his theories of animation. Both are published in English by VIZ Media.
Most helpful customer reviews
24 of 24 people found the following review helpful.
From the Master Himself
By Shayleen Daley
If you read Starting Point, his collection of essays and interviews from 1979-1996, you'll love Turning Point. It follows the same format, showing translated articles from various interviews/essays/notes/sketches. It really helps to expand the understanding of the various films he's made and worked on. You get to read in his own words what he thinks of them, his inspirations, and low points, what he considered the best and the worst. There are also parts where he talks simply about his opinion on the state of the world, his interpretation of nature, films, animation, the conditions necessary to raise a child just to name a few.
In short, if you want to have a more robust understanding of Miyazaki Hayao and where he's coming from, buy this book. After you read Starting Point of course. This is a continuation of that and it shows his growth as a person and animator. He's not perfect. He admits he has faults, that he's not the best person. But he's honest and true to his vision and someone I greatly respect for sticking to his beliefs.
17 of 17 people found the following review helpful.
Not quite what I was hoping for from someone who enjoyed "Starting Point."
By Jon
Really enjoyed this book but I had issues with so many interviews being similar. So you end up reading the same questions and same responses repeatedly. I also thought it was naive of Miyazaki to grossly generalize people on quite a few occasions in the interviews. In several parts he pretty much says Americans could never understand some aspect of cinema because their movies are all about blowing stuff up and that's what they all enjoy. I mean there are variations of this kind of thing where he takes American POP CULTURE (ACK!) and uses it to generalize 300 million people. He does throw around other generalizations about Japan, Europe etc as well. Anyhow, I did get a lot of what I was hoping for too. You get a sense of where he got certain ideas for movies and why he made certain decisions in directing a film a certain way. You can get some of these ideas about Princess Mononoke, Spirited Away, and Howl's Moving Castle. Anyways, it was very much like the previous book, "Starting Point" but this one (Turning Point) was mostly interviews, some poems, and a few essays or they might've been speeches. No articles that I can remember. There were chunks of content that could've been left out without losing anything. As I said, content is repeated in a few places. Far worse in the first half of the book. Worth reading for people who want more insight into this masterful director with the understanding that there are a few awkward and unrelated comments to take with a grain of salt.
I still give it four stars because for good or bad, it's mostly what I wanted. And in the afterword, Miyazaki writes about how uncomfortable he was/is about the book. That he felt it misrepresented him or at least didn't identify fully with the book in some ways which is probably the nature of biographies. Views change and also generalizations fade when you're standing in front of someone shaking their hand. And besides, pretty much everyone is contrary at some point, and it's going to be especially obvious when interview after interview is documented like this.
0 of 0 people found the following review helpful.
My daughter and I love Hayao Miyazakisan
By Kelley Jordan
My daughter and I love Hayao Miyazakisan! These books (we have the first volume also) are a great addition to the Anime library she has.
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